Joakim Skovgaard, 1894 - Kristus v ríši mŕtvych - umelecká tlač
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Údaje o produkte
Viac ako 120 years old artpiece was made by the male dánsky umelec Joakim Skovgaard. Dnes toto umelecké dielo patrí k Statens Museum for Kunst (Dánska národná galéria) zbierka umiestnená v Kodaň, Dánsko. Sme radi, že to môžeme spomenúť verejná doména artpiece is included with courtesy of National Gallery of Denmark.: . Furthermore, alignment is in krajinami. formát s pomerom 1.4: 1, znamená to že dĺžka je o 40% väčšia ako šírka. Joakim Skovgaard was a male painter, sculptor of Danish nationality, whose style can be attributed primarily to Realism. The European painter lived for 77 rokov, narodený v 1856 in Copenhagen, Hovedstaden, Denmark and deceased in 1933.
Vyberte si preferovaný materiál
Pre každý produkt ponúkame škálu rôznych veľkostí a materiálov. Možnosti, ktoré vám ponúkame na individualizáciu, sú tieto veľkosti a materiály:
- Potlač na plátno: A UV printed canvas mounted on a wooden stretcher frame. A canvas has the plastic look of three-dimensionality. Canvas Prints have the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for any kind of wall.
- Potlačené akrylové sklo s lesklým efektom (s pravou povrchovou úpravou skla): The print on acrylic glass, often named a plexiglass print, transforms your favorite original work of art into amazing home decoration. The artwork is custom-made thanks to the help of modern UV printing machines.
- Kov (potlač hliníkovým dibondom): This is a metal print manufactured on aluminium dibond material with an outstanding effect of depth. For the Direct Aluminium Dibond print, we print the favorite artpiece on the aluminium composite surface. The bright & white sections of the work of art shine with a silky gloss but without glare. The colors of the print are luminous, fine details of the print appear very clear.
- Plagát na plagát: Artprinta poster print is a UV printed sheet of canvas paper with a nice texture on the surface, that resembles the original artwork. A poster print is suited for putting the art copy with a special frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the painting in order to facilitate the framing with your custom frame.
Vylúčenie zodpovednosti: We try to depict our products as accurately as possible and to display them visually. Nevertheless, the tone of the printing material, as well as the printing might differ marginally from the image on your device's monitor. Depending on the screen settings and the nature of the surface, colors might not be printed 100% realistically. In view of the fact that all the art reproductions are printed and processed manually, there may as well be minor discrepancies in the size and exact position of the motif.
výrobok
Typ produktu: | umelecká kópia |
rozmnožovanie: | digitálna reprodukcia |
Technika výroby: | Priama tlač UV (digitálna tlač) |
Pôvod produktu: | vyrobené v Nemecku |
Typ akcie: | výroba na požiadanie |
Zamýšľané použitie produktu: | galéria múrov |
Orientácia: | formát na šírku |
Bočný pomer: | dĺžka: šírka - 1.4: 1 |
dôsledok: | dĺžka je o 40% väčšia ako šírka |
Dostupné výbery materiálov: | tlač z akrylového skla (s pravou povrchovou úpravou zo skla), potlač na plátno, potlač na plagát (plátený papier), potlač na kov (hliníkový dibond) |
Možnosti plátna na nosidlách (tlač na plátno): | 70 x 50 cm - 28 x 20 ", 140 x 100 cm - 55 x 39" |
Potlač z akrylového skla (so skutočným povlakom): | 70 x 50 cm - 28 x 20 ", 140 x 100 cm - 55 x 39" |
Tlač plagátov (plachtovinový papier): | 70 x 50 cm - 28 x 20 " |
Hliníková potlač: | 70 x 50 cm - 28 x 20 ", 140 x 100 cm - 55 x 39" |
Rám: | nie je k dispozícii |
Informácie o pozadí art art
Názov maľby: | "Christ in the Realm of the Dead" |
Kategorizácia: | maľba |
Zastrešujúci pojem: | moderné umenie |
Časová klasifikácia: | 19th storočia |
Vytvorené v roku: | 1894 |
Vek umeleckého diela: | viac než 120 rokov |
múzeum: | Statens Museum of Kunst (Dánska národná galéria) |
Umiestnenie múzea: | Kodaň, Dánsko |
Webová stránka múzea: | www.smk.dk |
Licencia na umelecké diela: | verejná doména |
Zdvorilosť: | Dánska národná galéria |
Rýchly prehľad o interpretovi
Meno interpreta: | Joakim Skovgaard |
Alternatívne názvy: | Joakim Skovgaard, Skovgaard Joachim Frederik, Skovgaard Joakim, Joachim Frederik Skovgaard |
Pohlavie: | muž |
Štátna príslušnosť interpreta: | dánsky |
Pracovné miesta umelca: | sochár, maliar |
Krajina pôvodu: | Dánsko |
Kategória interpreta: | moderný umelec |
Štýly interpreta: | realizmus |
Úmrtie vo veku: | 77 rokov |
Rok narodenia: | 1856 |
miesto narodenia: | Kodaň, Hovedstaden, Dánsko |
zomrel: | 1933 |
Úmrtie (miesto): | Kodaň, Hovedstaden, Dánsko |
© Autorské práva, www.artprinta.com (Artprinta)
Original artwork description as provided by Statens Museum for Kunst (National Gallery of Denmark) (© Copyright - Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)
After the Crucifixion, Christ descends into the Realm of the Dead on Easter Eve to release the lost souls. With Adam and Eve at the front, the nameless dead reach out to the lightbringer who crushes the symbols of death and evil underfoot while a dark figure flees the light in the top left corner.
The literary basis for this scene was N. F. S. Grundtvig’s (1783-1872) new version (1837) of Caedmon’s Old English poem about the storming of Hell, I Kvæld blev der banket på Helvedes Port (Tonight there was a Knocking at the Gates of Hell). Skovgaard regarded his work as an artist as a calling, and his task was to let great art work as convincingly as possible for the dissemination of Christianity and the work of God.
Working out of deeply anchored personal beliefs, Skovgaard insists on depicting Christ as an almighty force that can still fight titanic battles for the sake of mankind. Mobilising the pathos and compositional dynamics of the grand style of art and combining it with his own sense of simple, decorative lines, Skovgaard not only creates an image of rare power and conviction, he also offers his personal take on how ”the grand style” could still generate relevant and interesting artistic statements.
The realm of the dead – with its anonymous throng of cadaverous beings crowding towards the light of deliverance after long years of darkness – may be Skovgaard’s allegory of his times, a period full of doubt and insecure fumbling.