Jan Baptist Weenix, 1653 - Holandský veľvyslanec na ceste do Isfahánu - umelecká tlač

Podrobnosti o umeleckom produkte

This 17th century work of art was made by the Dutch maliar Ján Krstiteľ Weenix. Toto umelecké dielo je súčasťou Rijksmuseum's art collection, which is the largest museum for Dutch art and history from the Middle Ages to the present day. This public domain work of art is included with courtesy of RijksmuseumÚverový limit umeleckého diela je tento:. A čo viac, zarovnanie digitálnej reprodukcie je krajinami. s bočným pomerom 16: 9, čo z toho vyplýva dĺžka je o 78% väčšia ako šírka. The painter Jan Baptist Weenix was an artist from the Netherlands, whose art style can mainly be assigned to Baroque. The Baroque painter lived for 39 rokov - narodený v roku 1621 v Amsterdame, Severnom Holandsku, Holandsku a zomrel v roku 1660.

Ďalšie informácie o umeleckých dielach od Rijksmuseum webové stránky (© Autorské práva - Rijksmuseum - Rijksmuseum)

In 1651–1652 the Dutch ambassador Joan Cunaeus and his secretary, Cornelis Speelman, travelled to Isfahan in Persia to stimulate trade in horses and silk. Speelman described the journey, lavish receptions and visits to ancient archeological sites. The two gentlemen are here probably being escorted by the Sultan of Bandar Abbas. Cunaeus wears a silk cloak, a gift from the shah.

Štruktúrované informácie o umeleckých dielach

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• Hliníková potlač (hliníkový dibond): An Aluminium Dibond print is a print material with an outstanding effect of depth. The Aluminium Dibond Print is the ideal introduction to the sophisticated world of art prints made on aluminum.
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Podrobnosti o produkte

Dôležitá informácia: We try to describe the art products as clearly as possible and to illustrate them visually on the respective product detail pages. At the same time, the pigments of the print products, as well as the print result might differ somehwat from the presentation on your monitor. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Since all art reproductions are printed and processed manually, there might also be slight discrepancies in the motif's size and exact position.

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