Nicolas Froment, 1480 - The Pérussis Altarpiece - umelecká tlač

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Časť klasické umenie umelecké dielo vytvorila muž maliar Nicolas Froment. Umelecké dielo bolo namaľované vo veľkosti: Three panels, each 54 1/2 x 23 in (138,4 x 58,4 cm). Oil and gold on wood was used by the European artist as the technique for the artpiece. This piece of art can be viewed in in the Metropolitné múzeum umenia digital collection. We are happy to reference that the work of art, which belongs to the verejná doména je zahrnutý s láskavým dovolením Metropolitné múzeum umenia v New Yorku, nákup, Mary Wetmore Shively Bequest, na pamiatku jej manžela, Henry L. Shively, MD, 1954. Umelecké dielo má navyše túto úverovú linku: Nákup, Mary Wetmore Shively Bequest, na pamiatku jej manžela, Henry L. Shively, MD, 1954. Besides this, the alignment is landscape with an image ratio of 1.2: 1, čo z toho vyplýva dĺžka je o 20% väčšia ako šírka. The painter Nicolas Froment was an artist from France, whose style can be classified as Northern Renaissance. The French artist lived for 24 rokov - narodený v roku 1460 a zosnulý v roku 1484.

General description as provided by The Metropolitan Museum of Art (© - Metropolitné múzeum umenia - Metropolitné múzeum umenia)

The subject of this large altarpiece, the adoration of the empty cross on Golgatha, is unusual. According to a documented inscription on the lost original frame, the painting was made in 1480 for Aloisius Rudolphe de Pérussis, whose family coat of arms and motto are displayed on the side panels. One of the kneeling donors, presented by John the Baptist and Saint Francis, may be Aloisius himself. Originally from Florence, the Pérussis or Peruzzi took refuge in Avignon after they were exiled by Cosimo de' Medici in 1434. Included in the background landscape is a faithful topographical view of Avignon.

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