Johann Wolfgang Baumgartner, 1760 - Nanebovzatie Panny Márie - umelecká tlač
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Časť 18th storočia umelecké dielo s názvom Nanebovzatie Panny Márie bol maľovaný Johann Wolfgang Baumgartner. Originál bol namaľovaný v presnej veľkosti: 59 53,5 x cm a bol namaľovaný na médiu olej na plátne. Dnes je umelecké dielo súčasťou Belvedere umelecká zbierka v Viedeň, Rakúsko. S láskavým dovolením © Belvedere, Viedeň, inventárne číslo: 2063 (licensed - public domain). Creditline of the artwork: purchase from Councilor Richard Canaval, Klagenfurt in 1920. In addition to this, the alignment is square and has an image ratio of 1 : 1, which means that the length is equal to the width. Johann Wolfgang Baumgartner was a male painter, etcher, whose style was mainly Baroque. The painter lived for a total of 49 years, born in 1712 in Kufstein, Tyrol, Austria and passed away in the year 1761.
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- Potlač z akrylového skla (so skutočným skleneným povrchom): An print on acrylic glass, which is sometimes referred to as a print on plexiglass, will transform your favorite original work of art into great home decoration. The major benefit of an acrylic glass fine art print is that sharp contrasts and also painting details become more visible due to the subtle gradation.
- Plátno: The UV printed canvas material applied on a wood frame. It makes the exclusive look of three dimensionality. A canvas of this artpiece will let you turn your fine art print into a large size work of art as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for any type of wall.
- Plagát (materiál plátna): Our poster print is a printed canvas with a slight surface texture. It is best suited for framing the art copy with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art, which facilitates the framing with your custom frame.
- Hliníková dibondová tlač: Aluminium Dibond prints are prints on metal with a true depth effect. A direct Direct Print on Aluminum Dibond is the ideal introduction to art replicas produced with aluminum. For your Direct Print On Aluminum Dibond, we print your artpiece on the aluminium surface. The bright & white parts of the work of art shimmer with a silk gloss but without glare. Colors are bright and luminous in the highest definition, details of the print appear clear and crisp.
Vylúčenie zodpovednosti: We try what we can in order to describe our products with as many details as possible and to demonstrate them visually on the different product detail pages. Although, some colors of the print materials and the printing might vary somehwat from the representation on the screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version. Since all our art prints are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.
Tabuľka článkov
Kategorizácia produktu: | umelecká tlač |
rozmnožovanie: | digitálna reprodukcia |
Spôsob výroby: | Priama tlač UV (digitálna tlač) |
Pôvod produktu: | Nemecká výroba |
Typ zásoby: | na objednávku |
Zamýšľané použitie produktu: | nástenné dekorácie, nástenné umenie |
Zarovnanie umeleckého diela: | štvorcové zarovnanie |
Pomer obrazu: | (dĺžka šírka) 1: 1 |
Interpretácia pomeru strán obrazu: | dĺžka sa rovná šírke |
Materiálne možnosti: | tlač z akrylového skla (s pravou povrchovou úpravou zo skla), tlač plagátu (plátno), potlač na plátno, potlač kovov (hliníkový dibond) |
Varianty veľkosti plátna na nosidlách (tlač na plátno): | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20 ", 70x70cm - 28x28", 100x100cm - 39x39 ", 150x150cm - 59x59", 180x180cm - 71x71 " |
Potlač z akrylového skla (so skutočným povlakom): | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20 ", 70x70cm - 28x28", 100x100cm - 39x39 " |
Varianty tlače plagátov (plátno): | 30x30cm - 12x12 ", 50x50cm - 20x20", 70x70cm - 28x28 ", 100x100cm - 39x39" |
Veľkosti hliníkovej tlače: | 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20 ", 70x70cm - 28x28", 100x100cm - 39x39 " |
Rámovanie umeleckej grafiky: | Bez rámčeka |
Základné umelecké informácie
Názov umeleckého diela: | „Nanebovzatie Panny Márie“ |
Kategorizácia: | maľba |
Všeobecný výraz: | klasické umenie |
Časová klasifikácia: | 18th storočia |
Vytvorené v roku: | 1760 |
Približný vek umeleckých diel: | nad 260 rokov |
Médium pôvodného diela: | olej na plátne |
Rozmery pôvodného diela: | 59 53,5 x cm |
Vystavované v: | Belvedere |
Poloha múzea: | Viedeň, Rakúsko |
Webstránka: | Belvedere |
licencie: | verejná doména |
Zdvorilosť: | © Belvedere, Viedeň, inventárne číslo: 2063 |
Úverová linka: | purchase from Councilor Richard Canaval, Klagenfurt in 1920 |
Tabuľka pre umelcov
Meno interpreta: | Johann Wolfgang Baumgartner |
Alternatívne názvy: | j. w. baumgartner, Baumgärtner Wilhelm, Johann Wolfgang Baumgartner, baumgartner joh. wolfgang, joh. wolfg. baumgartner, baumgartner j. w., baumgartner joh. wolfg., Baumgartner Johann Wolfgang, johann wolfg. baumgartner, Baumgartner Johann-Wolfgang |
Pohlavie: | muž |
Pracovné miesta umelca: | etcher, maliar |
Kategória interpreta: | starý pán |
Štýly interpreta: | Baroko |
Vek pri úmrtí: | 49 rokov |
Narodený v roku: | 1712 |
Rodné mesto: | Kufstein, Tirolsko, Rakúsko |
zomrel: | 1761 |
Zomrel v (miesto): | Augsburg, Bavorsko, Nemecko |
Autorské práva © | Artprinta (www.artprinta.com)
Všeobecné špecifikácie múzea (© - autor: Belvedere - www.belvedere.at)
Surrounded by a host of angels, saints and biblical figures, the Mother of God rises to the Trinity up. Striking here is caused by the density of the figures darkness that much of the heavenly airiness of Baumgartner's contemporaries - such as Daniel Gran and Franz Anton Maulbertsch - takes off. Exciting is the design of the three vaulted gusset, because it is not clear whether this should be implemented as a trompe l'oeil, or as three-dimensional pieces. Although has received on the draft, a drawing in the Castle Museum of Ellwangen, we have no knowledge regarding the execution of a dome fresco. [Georg Lechner, 2013]