John Trumbull, 1787 - The Surrender of Lord Cornwallis at Yorktown, 19. októbra 1781 - umelecká tlač

Things you should know about the painting painted by the American artist named John Trumbull

Umelecké dielo vytvoril muž painter John Trumbull. The beyond 230 year old original had the following exact size: 21 x 30 5/8 x 3/4 in (53,3 x 77,8 x 1,9 cm) framed: 27 3/16 x 36 15/16 x 3 1/8 in (69,1 x 93,8 x 7,94 cm). Olej na plátne was used by the North American artist as the medium of the work of art. Furthermore, this work of art is part of the Galéria umenia Yale University digitálna zbierka v New Haven, Connecticut, Spojené štáty americké. S potešením konštatujeme, že toto umelecké dielo, ktoré patrí medzi verejná doména je dodávaný s láskavým dovolením Galéria umenia Yale University. Furthermore, the artwork has the following creditline: Trumbull Collection. Further, the alignment is krajinami. s pomerom strán 3: 2, čo znamená, že dĺžka je o 50% väčšia ako šírka. The artist, painter John Trumbull was an artist from United States, whose art style can mainly be classified as Romanticism. The North American painter was born in 1756 v Libanone v grófstve Nový Londýn, Connecticut, USA a zosnulý vo veku 87 v roku 1843.

(© Copyright - Yale University Art Gallery - artgallery.yale.edu)

This scene marks the end of the Revolutionary War. The defeated British army marches between the Americans on the right, led by General George Washington, and the French on the left, led by General Jean-Baptiste Rochambeau. At the center, on horseback, Major General Benjamin Lincoln, Washington’s second-in-command, accepts the official surrender from General Lord Cornwallis’s deputy, General Charles O’Hara. According to historical accounts, Cornwallis had feigned illness on the occasion and passed the responsibility of surrender to O’Hara. Washington, recognizing the snub, directed O’Hara to Major General Lincoln, who accepted O’Hara’s sword and handed it back to him. Trumbull painted the portraits of the French officers directly onto the canvas in Thomas Jefferson’s house in Paris and regarded them as the “best of my small portraits.”

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