James McNeill Whistler, 1873 - Štúdia pre aranžmány v šedej a čiernej farbe, č. 2: Portrét Thomasa Carlyleho - umelecká tlač

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19th storočia umelecké dielo namaľoval James McNeill Whistler in 1873. The over 140 year old original had the following size: 28,6 × 21 cm (11 1/4 × 8 1/4 in) and was manufactured with the technika oleja na plátne. Signed at right with butterfly was the masterpiece's original inscription. Nowadays, this artwork is included in the Art Institute v Chicagu zbierka digitálneho umenia v Chicago, Illinois, Spojené štáty americké. Toto moderné umenie verejná doména majstrovské dielo je poskytované s láskavým dovolením Inštitút umenia v Chicagu. Úverový limit diela je: Dar Emily Craneovej Chadbourne. Ďalej je zarovnanie v portrét formát s pomerom 1: 1.4, znamená to že dĺžka je o 29% kratšia ako šírka. The writer, illustrator, painter, etcher, lithographer James McNeill Whistler was an artist, whose style can mainly be attributed to Symbolism. The artist was born in the year 1834 in Lowell, Middlesex county, Massachusetts, United States and passed away at the age of 69 in the year 1903 in London, Greater London, England, United Kingdom.

General information from the museum's website (© - by Art Institute Chicago - Inštitút umenia v Chicagu)

In 1872, James McNeill Whistler began a large-scale portrait of Scottish historian and philosopher Thomas Carlyle, who lived near the artist in London. Whistler executed several studies, including this one, which strongly resembles the finished painting. Carlyle endured numerous sittings, as Whistler labored over the portrait with particular emphasis on the aesthetics of the sitter’s black coat. Concerned with harmonious arrangements of color and form, the artist was less interested in depicting the details of Carlyle’s face. The composition is strikingly similar to Whistler’s Arrangement in Grey and Black: Portrait of the Artist’s Mother (1871; Musée d’Orsay), also known as Whistler’s Mother.

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