Narcisse-Virgile Diaz de la Peña, 1852 - Figúry a pes v krajine - umelecká tlač

Všeobecný popis od Metropolitného múzea umenia (© - od Metropolitného múzea umenia - Metropolitné múzeum umenia)

At the center of this landscape is a group of figures posed in a pyramidal arrangement borrowed from Renaissance prototypes of the Holy Family. The man, who serves as the highest point of this arrangement of figures, imitates representations of the biblical Joseph as he leans to his left and gazes at the seated woman from behind her shoulder. His attitude and simple nineteenth century peasant attire contrast to those of the woman and child, who are more elaborately dressed with soft yellow hair and contemplative, downcast gazes. The two female figures look to the attentive and loyal dog who sits in the leftmost foreground before a pool of water. Diaz applies paint liberally to parts of the canvas and sparingly to others, leaving the gessoed canvas showing through the painted surface in the foreground. His visible brushwork and attention to the landscape recall eighteenth century precedents by Rococo artists such as Watteau and Fragonard.

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O umeleckej tlači Figures and a Dog in a Landscape

19th storočia umelecké dielo namaľoval muž Francúzsky maliar Narcisse-Virgile Diaz de la Peña. Verzia umeleckého diela meria veľkosť 17 1/4 x 11 3/4 palca (43,8 x 29,8 cm) a bol natretý technikou z olej na drevo. Furthermore, the artpiece is in the the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (public domain). Additionally, the work of art has the following creditline: Zbierka Roberta Lehmana, 1975. Ďalej zarovnanie je portrét s bočným pomerom 1: 1.4, znamená to že dĺžka je o 29% kratšia ako šírka.

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