Charles Le Brun, 1660 - Everhard Jabach (1618–1695) a jeho rodina - umelecká tlač

Ponuka produktov

Časť klasické umenie umelecké dielo tzv Everhard Jabach (1618–1695) and His Family bol namaľovaný muž maliar Charles Le Brun. Čím viac ako 360 rokov stará originálna tvorba mala túto veľkosť: 110 1/4 × 129 1/8 palca (280 × 328 cm) a bol vytvorený s technika of oil on canvas. The artwork belongs to the digital collection of Metropolitné múzeum umenia in New York, New York, Spojené štáty americké. Toto majstrovské dielo, ktoré patrí k verejná doména je dodávaný s láskavým dovolením The Metropolitan Museum of Art, New York, Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. : Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. Besides this, the alignment of the digital reproduction is in krajinami. formát and has an image ratio of 1.2 : 1, which means that the length is 20% longer than the width. The architect, painter, decorator Charles Le Brun was a European artist from France, whose style can be classified as Baroque. The European painter lived for 71 rokov a narodil sa v r 1619 v Paríži, Ile-de-France, Francúzsko a zomrel v roku 1690 v Paríži, Ile-de-France, Francúzsko.

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Pre každý produkt ponúkame škálu rôznych veľkostí a materiálov. Možnosti, ktoré vám ponúkame na individualizáciu, sú tieto veľkosti a materiály:

• Tlač na lesklé akrylové sklo (so skutočným skleneným povlakom): A glossy print on acrylic glass, which is often denoted as a plexiglass print, changes an artwork into beautiful wall decoration. The artwork will be custom-made with the help of modern UV direct printing machines. The real glass coating protects your chosen art print against light and external influences for many years to come.
• Vytlačený plagát na plátne: Artprinta poster print is a UV printed canvas with a slight surface structure. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the print to facilitate the framing with your custom frame.
• Kov (potlač hliníkovým dibondom): These are metal prints on aluminium dibond material with a true depth effect. The Direct Print on Aluminum Dibond is your best start to reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium white-primed surface. Colors are luminous and vivid in the highest definition, fine details of the print appear very clear.
• Obraz na plátne: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed onto canvas material. Your canvas print of your favorite masterpiece will let you turn your custom art print into a large artpiece as you know from galleries. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without the use of any wall-mounts. Canvas prints are suitable for all types of walls.

Dôležitá právna poznámka: We try what we can to describe our products in as much detail as possible and to exhibit them visually. Please keep in mind that the colors of the print products and the printing may diverge marginally from the image on your screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed 100% realistically. Since all art reproductions are processed and printed manually, there might as well be slight deviations in the motif's size and exact position.

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Originálny popis umeleckého diela z múzea (© - Metropolitné múzeum umenia - Metropolitné múzeum umenia)

This painting combines the domestic intimacy and descriptive richness of Dutch and Flemish art, which Jabach collected and admired, with the measured formal organization and allegorical allusions characteristic of French portraiture. Everhard Jabach (1618–1695), dressed in black, is seated in the company of his wife and their four children. Although Le Brun presents an arresting portrayal of each sitter, much of the composition is given over to Jabach and the emblems of his cultural interests and, through the artist’s reflection in the mirror, his association with France’s leading painter. Le Brun’s canvas must have been executed around 1660, which also coincides with the construction of his grand new Parisian house.