Thomas Sully, 1821 - Portrait of the Artist - umelecká tlač

Všeobecné špecifikácie Metropolitného múzea umenia (© Autorské právo - Metropolitné múzeum umenia - www.metmuseum.org)

The English-born Philadelphian Thomas Sully painted this self-portrait for his host in Baltimore, Maryland, the broker Henry Robinson. The artist is shown interrupted at his work, with the primary tool of his profession pointed at his sharply lit head. This paintbrush device is common in artists’ self-portraits, and Sully is thought to have adapted it from a similar work by Benjamin West, with whom he had studied in London. Although Sully’s brushwork is unusually restrained here, its painterly quickness blends with the engaging spontaneity of the pose to create a sense of immediacy.

V 1821 Americký umelec Thomas Sully urobil obraz Portrét umelca. Koniec 190 ročný originál bol vyrobený s veľkosťou: 17 1/8 x 14 palcov (43,5 x 35,6 cm). Olej na plátne was applied by the painter as the medium of the piece of art. It is included in the The Metropolitan Museum of Art's art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This work of art, which is in the verejná doména je dodávaný s láskavým dovolením Metropolitné múzeum umenia v New Yorku, darček pani Rosy C. Stanfieldovej, na pamiatku jej otca, Henryho Robinsona, 1894. Úverový limit diela je nasledujúci: Dar pani Rosy C. Stanfieldovej na pamiatku jej otca, Henryho Robinsona, 1894. A čo viac, vyrovnanie je v portrét formát s pomerom 1: 1.2, Čo znamená, že dĺžka je o 20% kratšia ako šírka. Thomas Sully was a painter of American nationality, whose art style can primarily be assigned to Romanticism. The American painter lived for a total of 89 years and was born in 1783 in Horncastle, Lincolnshire, England, United Kingdom and passed away in 1872 in Philadelphia, Philadelphia county, Pennsylvania, United States.

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