Salomon van Ruysdael, 1653 - Winter Landscape at Arnhem - umelecká tlač

Winter Landscape at Arnhem is a masterpiece made by Salomon van Ruysdael. The original measures the size - height: 56 cm width: 80 cm | height: 22 in width: 31,5 in. Olej na paneli was applied by the Dutch painter as the technique for the painting. The original artwork was inscribed with the following text: signed and dated: S.VR. 1653. V súčasnosti je toto umelecké dielo v zbierke Mauritshuis in Haag, Južný Holland, Holandsko, klasické umenie umelecké dielo, ktoré je súčasťou verejná doména je poskytovaná s láskavým dovolením Mauritshuis, Haag. Úverová linka umeleckého diela je: François-Joseph, Duc de Caylus; Eugene Slatter Gallery, London, 1950; Diaz Estévez Collection, before 1983; sale London, Sotheby’s, 6 July 1983, lot 78; gift of Willem, Baron van Dedem to the Friends of the Mauritshuis Foundation, 2002; on loan to Willem, Baron van Dedem, and his widow, London, 2002-2016. Zarovnanie digitálnej reprodukcie je na šírku formát a má bočný pomer 3: 2, Čo znamená, že dĺžka je o 50% väčšia ako šírka. Salomon van Ruysdael was a male painter, whose artistic style can mainly be classified as Baroque. The Baroque painter lived for 68 years and was born in the year 1602 v Naardene a zomrel v roku 1670 v Haarleme.

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Pre každý produkt ponúkame škálu rôznych veľkostí a materiálov. Môžete si vybrať z nasledujúcich možností prispôsobenia produktu:

• Potlač plagátu (materiál plátna): A poster print is a UV printed canvas paper with a fine finish on the surface, which resembles the original version of the masterpiece. It is perfectly suited for placing your art replica with the help of a personal frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Potlač z akrylového skla (so skutočným povlakom): A glossy print on acrylic glass, which is sometimes named as a plexiglass print, transforms the original work of art into beautiful wall décor. With a glossy acrylic glass fine art print contrasts plus granular image details will be recognizeable thanks to the subtle gradation.
• Hliníková dibondová tlač: An Aluminium Dibond print is a material with an outstanding depth effect. For your Aluminium Dibond print, we print the artwork onto the aluminium composite surface. The colors of the print are bright and luminous in the highest definition, the fine details are very clear, and you can feel the matte appearance of the product. This direct UV print on aluminium is one of the most demanded entry-level products and is a stylish way to showcase fine art prints, because it draws attention on the replica of the artwork.
• Potlač na plátno: The canvas direct print is a printed canvas stretched on a wooden stretcher. Canvas Prints have the advantage of being low in weight. That means, it is quite simple to hang up your Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suitable for any type of wall.

disclaimer: We try everythig possible to depict the products as clearly as we can and to showcase them visually in our shop. Nonetheless, the tone of the printed materials, as well as the imprint might diverge to a certain extent from the representation on your screen. Depending on your screen settings and the nature of the surface, not all colors will be printed as realistically as the digital version. Since the fine art prints are processed and printed by hand, there may as well be slight deviations in the motif's size and exact position.

O tomto článku

Štruktúrovaná tabuľka umeleckého diela

Kontextové údaje o interpretovi

Tento text je chránený autorskými právami © | Artprinta.com

(© Autorské práva - Mauritshuis - www.mauritshuis.nl)

François-Joseph, Duc de Caylus; Eugene Slatter Gallery, London, 1950; Diaz Estévez Collection, before 1983; sale London, Sotheby’s, 6 July 1983, lot 78; gift of Willem, Baron van Dedem to the Friends of the Mauritshuis Foundation, 2002; on loan to Willem, Baron van Dedem, and his widow, London, 2002-2016